We were building the sets and scanning them in VR. “Jon had started a lot of the early thinking for this process on that. “I’d done some work with LED screens in camera before, but not with the tracking element, on ‘The Jungle Book,’” says Jones, who was supervising art director on Favreau’s live-action Disney film. The series was partially filmed in Industrial Light & Magic’s new 270-degree “Volume” soundstage, where digital environments - a desert planet, say, or the infamous cantina - are projected on LED screens around the actors using game technology. Jones had to build sets that could exist both in the physical world and a virtual one. To reimagine the world of “Star Wars” for Jon Favreau’s Disney+ series “The Mandalorian,” production designer Andrew L.
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